The Plateresque style in architecture emerged in Spain during the late 15th and 16th centuries. It is characterized by the ornamental use of decorative motifs resembling silversmith's work, hence the name "Plateresque" (derived from the Spanish word for silversmith, "platero").
There were several theories and treatises that influenced the design of Plateresque buildings. Two significant treatises that played a crucial role in shaping Plateresque architecture are:
1. "Tratado de Arquitectura" (Treatise on Architecture) by Diego de Sagredo: Published in 1526, Sagredo's treatise advocated for a fusion of classical forms and ornamental details. It emphasized a balanced composition, harmonious proportions, and the use of decorative elements derived mainly from classical antiquity. This treatise had a significant influence on the development of Plateresque architecture, as it embraced the idea of incorporating classical elements into a richly ornamented style.
2. "Silvarum Libri" (Books of Forests) by Alonso de Covarrubias: Published in 1552, Covarrubias' treatise explored the use of decorative motifs, particularly ornamental grotesques and arabesques, inspired by nature and organic forms. It provided guidance on the decoration of facades, portals, and interior spaces. Covarrubias' treatise had a major impact on Plateresque architecture, as it encouraged the use of intricately detailed ornamentation derived from natural elements.
These two treatises, among others, influenced architects and craftsmen working in the Plateresque style. They provided a theoretical framework and guidance for the integration of classical and decorative elements in the design of Plateresque buildings, such as the use of ornate facades, intricate stonework, intricate plasterwork, and richly decorated interiors.
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