Byzantine architects approached the use of frescoes in secular buildings with the same level of dedication and artistry as they did in religious buildings. Frescoes were commonly used to decorate the walls and ceilings of palaces, villas, and public buildings. They were often used to depict scenes from mythological or historical events, as well as beautiful landscapes and portraits.
The technique of fresco painting involved applying wet plaster to the walls and then painting directly onto it while it was still wet. This created a timeless, luminous effect of an immersive painting that was not only decorative but also functional: it could serve as a wayfinding tool, conveying information to its viewer about the space in which they stood.
In secular buildings, frescoes were also used to convey messages of power and wealth. For example, palace owners might commission frescoes that depicted themselves as triumphant rulers or surrounded by important historical figures. This helped reinforce their political status and legitimised their authority to their subjects.
Overall, Byzantine architects approached the use of frescoes in secular buildings as an opportunity to create beautiful, impactful art that could convey a range of messages to their viewers. Their work has left behind an enduring legacy of artistic and architectural excellence.
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